"...Grant is worthy of a much better role..."
|With Marlene Dietrich.|
Blonde Venus - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):
"Marlene Dietrich's latest film, Blonde Venus, over which B. P. Schulberg, until recently head of Paramount's Hollywood studio, and Josef von Sternberg, the director, clashed last spring, is a muddled, unimaginative and generally hapless piece of work, relieved somewhat by the talent and charm of the German actress and Herbert Marshall's valiant work in a thankless role.
It wanders from Germany to many places in America, over to France and then back to New York, but nary a whit of drama is there in it. There is good photography, and for those who are partial to scenes in a theatre, there are some over which Mr. von Sternberg has taken no little care. But the pain of it is the dismal and suspenseless tale of a woman who sinks to selling her favors and finally ends by returning to her husband.
There is scarcely any simpathy evoked for the characters, except for a little boy. Most of the scenes are unedifying, without possessing any strength or a common sense idea of psychology. It is regrettable that Miss Dietrich, Mr. Marshall and others should have been called on to appear in such a vehicle.
When there is any attempt at levity it is silly, and one lengthy episode might better have been left to the imagination, for it never for a moment is anything but dreary and dull.
There are good portraits of Miss Dietrich, who sings two or three songs. Mr. Marshall does as well as his lines and the situations permit. Cary Grant is worthy of a much better role than that of Townsend, and little Dickie Moore gives a suggestion of brightness to the unhealthy scenes in which he is sometimes beheld."
- Mordaunt Hall, The NewYork Times
|New Artwork by Rebekah Hawley at Studio36 -|
Number 5 - Blonde Venus (Lobby Card Style)
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