Showing posts with label Deborah Kerr. Show all posts
Showing posts with label Deborah Kerr. Show all posts

Sunday, July 2, 2023

An Affair to Remember (1957)

      "...an early exponent of cinematic charm, still looks good and talks good..."

With Deborah Kerr.

An Affair to Remember - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):

"Leo McCarey has had the good sense not to pretend that this romantic comedy is ever anything more than that, meanwhile exploiting a quality so long absent from the screen that it comes through with all the force of a brand new discovery - namely, charm.  Jerry Wald, the producer, observed that one reason there were so few real love stories being made any more was because there were so few actors who could play them convincingly.  "Today's actors," he said, "either look good and talk lousy or they look lousy and talk good."  Well, Cary Grant, an early exponent of cinematic charm, still looks good and talks good - and his graceful performance as a playboy is one good reason for seeing this film." 

- Arthur Knight, Saturday Review


New Artwork by Rebekah Hawley at Studio36 -
Number 62 - An Affair to Remember (Lobby Card Style)

Part Of


For more, see also:

Quote From Today 2 July 2022

On This Day 2 July 2021

On This Day 2 July 2020

Monday, June 19, 2023

Dream Wife (1953)

      "...Cary Grant is on hand to get laughs where it isn't always possible to find them in the script."

With Deborah Kerr.

Dream Wife - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):

"Dream Wife was made under the personal supervision of Dore Schary and Cary Grant is on hand to get laughs where it isn't always possible to find them in the script.  Nevertheless, this uneven mixture of sophisticated humor and downright slapstick amounts to little more than a fairly amusing comedy.


Newsweek

New Artwork by Rebekah Hawley at Studio36 -
Number 59 - Dream Wife (Lobby Card Style)

Part Of



For more, see also:

On This Day 19 June 2020

On This Day 19 June 2021

Quote From Today 19 June 2022

Friday, December 23, 2022

Quote From Today... The Grass is Greener (1960)

  

"Oh. You mean you prefer to be unhappy
 and abnormal."

With Robert Mitchum

The Grass is Greener was Cary Grant's 68th full-length feature film.

Trevor Sellers, the Butler: I wonder if I might have a word with you, Milord.

Victor Rhyall, Earl: So do I, so we're both probably right. Now what's the matter, Sellers?

Trevor Sellers, the Butler: As I told you, Milord, I haven't any work to do.

Victor Rhyall, Earl: What about your novel, why aren't you working at that?

Trevor Sellers, the Butler: I'm stuck badly. Nearly tore the whole thing up last night.

Victor Rhyall, Earl: Oh, now, now, you mustn't do that! What's the trouble?

Trevor Sellers, the Butler: Almost certainly the basic trouble is myself. I'm fundamentally happy and contented. That's bad enough, of course. But on top of that, I'm normal. And that's fatal.

Victor Rhyall, Earl: Oh. You mean you prefer to be unhappy and abnormal.

Trevor Sellers, the Butler: Of course! You see, I want to be a success, and to be a success, one must at least start off by being modern. And like yourself, Milord, I'm not. It means I have no feelings of insecurity or frustration. No despair.

Victor Rhyall, Earl: And that's essential?

Trevor Sellers, the Butler: The first essential! I feel perfectly content, really rather blameless, and hardly resent anything at all!

Victor Rhyall, Earl: Well, you are in a pickle, aren't you? Well now, you must have known all that when you gave up teaching to become a writer! You answered my advertisement for a butler, and when I asked you what your qualifications were you said you had a degree in science. Now in spite of such a ludicrous recommendation I engaged you, partly because you told me you wanted to write a novel. Luckily you turned out very well. Now, why don't you go back to your typewriter and take another crack at this, Sellers, might do you good. You might feel better now!

Friday, July 1, 2022

Quote From Today... An Affair to Remember (1957)

   "But you have such an honest face."

With Deborah Kerr.



An Affair to Remember was Cary Grant's 62nd full length feature film.



Nickie Ferrante: But you have such an honest face.

Terry McKay: I have?

Nickie Ferrante: I can trust you can't I?

Terry McKay:Yes, I suppose so .

Nickie Ferrante: Good, come with me.

Terry McKay: Yes, but the Captain has an honest face too! Why can't you tell him your troubles?

Sunday, June 19, 2022

Quote From Today... Dream Wife (1953)

 "...Some of the sand was missing!"

With Deborah Kerr.


Dream Wife was Cary Grant's 59th full length feature film.



Clemson Reade: We haven't been able to make a definite plan since we met.

Effie: Well, we went to Vermont for two weeks.

Clemson Reade: Yes. Yes, that's right. To her grandfather's farm. For two wonderful relaxing weeks in glorious Vermont.

Walter McBride: Tim'll be there in September.

Clemson Reade: We spent one day there. She had to leave to take care of the crisis in Sahara; some of the sand was missing.

Effie: Well, you stayed on.

Clemson Reade: With grandfather. It wasn't the same thing.

Friday, June 19, 2020

On This Day...Dream Wife (1953)

Dream Wife was Cary Grant's 59th full length feature film and his first of three films with Deborah Kerr.


Grant plays Clemson Reade who after breaking off an engagement with, far too busy, Effie (Kerr), seeks matrimonial bliss with a Princess from Bukistan, who from birth is trained in the art of pleasing men.


The Los Angeles Times wrote - "Cary Grant gives the typical light comedy portrayal for which he is noted. Miss Kerr, beautifully gowned throughout, comes through with a solid performance as the conniving American girl who has lost her man. Miss St. John makes a fine impression in her initial featured film role."

Publicity picture with Betta St. John and Deborah Kerr.

Deborah Kerr and Betta St. John and a little light reading.


This was Betta St.John's first full length feature film.


Lobby Cards:







Directed by Sidney Sheldon
Distributed by Metro-Goldwyn-Mayer
Running time:98 minutes.

Saturday, May 30, 2020

"Lights, camera...action!" - The Directors - Part 3

The next director, who worked with Cary Grant on four films, was Stanley Donen.

Stanley Donen:

13th April 1924 - 21st February 2019

On Grant - "Cary was lavish in his giving to me. He gave me lots of gifts, always thoughtful ones. Something was always arriving."

Kiss Them For Me (1957)

With Ray Walston and Jayne Mansfield

Indiscreet (1958)

On set with Cary Grant and Ingrid Bergman.

The Grass is Greener (1961)


With Deborah Kerr and Robert Mitchum

Charade (1963)

With Cary Grant and Audrey Hepburn

Stanley Donen was behind many hit musicals including On The Town, Singing in the Rain and Seven Brides for Seven Brothers.

Cary Grant, Stanley Fox and Stanley Donen set up Grandon Productions, Ltd in 1957.

Four directors worked on three films each with Cary Grant...

..."Lights, camera...action!" - The Directors - Part 4...

Saturday, April 18, 2020

Leading Ladies...Part 1.

Cary Grant, over the course of his film career, starred alongside the most iconic female stars of the time and who still maintain that status, even today!

The list is impressive.

Some actresses appeared more than once with Cary Grant on screen.

Katharine Hepburn:








She appeared in the most films with Cary Grant, a total of four times.
Also, on July 20th, 1942, on the radio, in The Philadelphia Story.









Sylvia Scarlett (1936)

Bringing Up Baby (1938)

Holiday (1938)

The Philadelphia Story (1941)

"She was this slip of a woman and I never liked skinny women.
But she had this thing, this air you might call it, the most totally magnetic woman I'd
ever seen, and probably ever seen since.
You had to look at her, you had to listen to her. There was no escaping her."
- Cary Grant


"Cary was a lovely, very generous actor. A good comedian. And so funny. He had a wonderful laugh. When you looked at that face of his, it was full of a wonderful kind of laughter at the back of the eyes."
- Katharine Hepburn

Irene Dunne:



Appearing in three films.

Two were probably amongst the best screwball comedies on film.

Her radio appearences with Cary Grant also included:

Theodora Goes West (June 13th, 1938)
Mr. Blandings Builds His Dream House  
(Oct 10th, 1950)
The Awful Truth (Jan 18th, 1955)






The Awful Truth (1937)

My Favorite Wife (1940)

Penny Serenade (1941)

"Her timing was marvelous. She was so good that she made comedy look easy.
If she'd made it look as difficult as it really is, she would have won her Oscar."
- Cary Grant

"I loved working with Cary - every minute of it. Between takes he was so amusing with his cockney stories. I was his best audience. I laughed and laughed and laughed. The more I laughed, the more he went on."
- Irene Dunne

Deborah Kerr:








Appearing in three films with Cary Grant.












Dream Wife (1953)

An Affair to Remember (1957)

The Grass Is Greener (1961)


"Mostly, we have manufactured ladies - with the exception of Ingrid, Grace, Deborah and Audrey."
- Cary Grant

"His elegance, his wit, his true professionalism were outstanding, and I learned so much from just watching him work. The ability to ad-lib, the timing of a double-take, in fact, all his timing - so essential for true comedy."
- Deborah Kerr

Myrna Loy:







Appearing in three films.

In 1941, June 30th, she also joined Cary Grant for a radio adaptation, I Love You Again.










Wings in the Dark (1935)

The Bachelor and the Bobby Soxer (1947)

Mr. Blandings Builds his Dream House (1948)



Carole Lombard:





Appearing in three films with Cary Grant, and one radio performance on December 11th, 1939 - In Name Only.













Sinners in the Sun (1932)

The Eagle and the Hawk (1933)

In Name Only (1939)



Sylvia Sidney:





Appeared in three films.















Merrily We Go to Hell (1932)

Madame Butterfly (1932)

Thirty-Day Princess (1934)


So six actresses, appeared in three or more films with Cary Grant.



But ten more starred in two films each with him.

That will be the subject of Leading Ladies: Part Two...